Such success followed a Time magazine review of one of his earliest films, 1956’s “Diane,” in which his performance opposite Lana Turner was dismissed as that of “a lump of English roast beef.”
In the 1970s, film critic Vincent Canby would dismiss Moore’s acting abilities as having “reduced all human emotions to a series of variations on one gesture, the raising of the right eyebrow.”
Born in London, the only child of a policeman, Moore had studied painting before enrolling in the Royal Academy of Dramatic Art. He played a few small roles in theater and films before his mandatory army duty, then moved to Hollywood in the 1950s. He appeared opposite Elizabeth Taylor in 1954’s “The Last Time I Saw Paris” and with Eleanor Parker in “Interrupted Melody” the following year.
In 1970, he became managing director for European production for Faberge’s Brut Productions. With the company, he co-starred with Tony Curtis in “The Persuaders!” for British television and was involved in producing “A Touch of Class,” which won a best-actress Oscar for Glenda Jackson.
Three years later, he made his first Bond film, “Live and Let Die.”
He would make six more, “The Man With the Golden Gun,” ”The Spy Who Loved Me,” ”Octopussy,” ”Moonraker,” ”For Your Eyes Only and “A View to a Kill” over the next 12 years. And while the Bond of the Ian Fleming novels that the films were based on was generally described as being in his 30s, Moore would stay with the role until he was 57.
He continued to work regularly in films after handing over Bond to Timothy Dalton, but never with the same success. His post-Bond films included such forgettable efforts as “The Quest” with Jean-Claude Van Damme and “Spice World” with the Spice Girls.
In 1991, Moore became a goodwill ambassador for UNICEF, having been introduced to the role by the late actress Audrey Hepburn. As Hepburn had, he threw much of his energy into the task.